Big Sleep Little Death is the latest release from the purveyors of dark electronic music, Bedtime for Robots. This ambitious release comes on the heels of the enigmatic Music From an Undisclosed Location.
The album opens with the sprawling and spaced out electronic horror track “All My Idols Are Dead”. Given the pedigree of disparate musical acts that make up the brain trust behind Bedtime for Robots, this list of idols is undeniably quite impressive. The description on Bandcamp states that this album was inspired by horror and sci-fi films. The album does not disappoint, as one can easily hear certain tracks dropped into scenes of stalking or dismemberment (and who among us doesn’t love a good dismemberment?) But one can also hear glimpses of Junkie XL or The Crystal Method, and even The Texas Chainsaw Massacre, especially in tracks such as “National Lobotomy”.
The album features two centerpieces: the first is the title cut, which features dark electronica that is so sinister it sounds like it belong right at home in a William Friedkin film. The second is the final cut, entitled “Easter”, a bleak post apocalyptic sci-fi soundtrack that will make you think of all the possibilities and could have beens that the world once held while you’re staring at the mutated corpses rising from the wreckage of what was once your favorite record store.
Bedtime for Robots is the brainchild of Michael Ferentino. He was a musician once. You don’t want to know what he’s become now.